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Emily Geen
in conversation with
Maria Kossak

 

21 June 2017

 

 

Emily Geen is a Canadian visual artist, currently based in Victoria BC on Canada’s west coast, completing her two-month Residency at MOMENTUM. During her time at MOMENTUM, Emily’s work has evolved in response to her encounters with the architectural history of Berlin, as well as to the character of its urban (and digital) landscape. Emily has further developed her practice of recording video through panes of semi reflective glass, creating a translucent, spatially contingent layering of imagery. Emily has also revisited her interest in analogue photography by shooting multiple exposure 35mm images of Berlin using a plastic toy camera. The amateur quality of the camera produces soft focus images and unpredictable results. She has been using it to photograph one of the first things she noticed upon arriving in Berlin: the towering exposed firewalls of many apartment buildings. Her interest in these was at first mainly an aesthetic one – she finds these voids of flatness amongst the otherwise richly layered urban landscape to be abrupt phenomenological pauses. Their potential as visual residue of Berlin’s volatile history is very compelling to Emily. In addition to these projects, she has begun implementing processes new to her practice which use Google Street View as a point of departure. It surprised Emily to find that while scrolling along the streets of Berlin on this virtual platform, that many of the homes and businesses are blurred out. Emily is interested in drawing aesthetic and conceptual parallels between the swaths of blurry self-censorship that pepper the streets of Berlin and the blank quality of the exposed firewalls.

Maria Kossak is a visual artist, born in Warsaw, who grew up in Berlin. She studied at the University of Fine Arts (UdK) and earned recognition there for a body of innovative artwork that incorporated analogue and digital techniques. Her academic path included a one-year scholarship at the University of Sydney (2006). She graduated from the UdK in 2008 in the fields of painting, sculpture and photography. Kossak currently lives and works in the Berlin. Maria Kossak’s visual language ranges from figurative to abstract, depending on the individual project. Her methodology incorporates objects of multiple dimensions and combines analogue and digital processes. Traditional and contemporary printing such as lithography, etching, screen-print are mixed with digital imaging on glass, wood or canvas. These hybrid forms of expression are often complemented by painting and the traditionally female ‘crafts’ of textile work and embroidery. Many of Kossak’s works allude to Eastern European iconography, as well as to the canonic Western styles of Art Nouveau and Abstract Expressionism. One of her central themes concerns the historic-cultural qualities of „gold”, and its ambivalent mediation between material power and spiritual transcendence. She explores the persistent human curiosity in the intrinsic substance of gold and its many surrogates, looking to it as an index of a more general system of social values. Maria Kossak’s work is currently featured in the inaugural exhibition, We All Love Art curated by Ryszard Wasko, of MOMENTUM’s partner gallery, Schlachthaus.fresh&fine art, which opened on June 17th.


 

MORE INFO ON EMILY GEEN RESIDENCY AT MOMENTUM HERE >>

 


KUNST SALON VIEWS
Photo Credit: Leslie Ranzoni