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MOMENTUM AiR
Nelya Korzhova and Roman Korzhov
18 – 28 October & 30 November – 8 December 2019
NELYA KORZHOVA
Artist and curator Nelya Korzhova (born in 1963) works in the media of painting, photography, objects, installations, with her practice based on the principle of distant contemplation. Her curatorial projects, emerging from a focus on social sculpture, eschew the concept of art as a ready-to-consume object. Rather, she identifies with the concept of “no man’s land”, where the viewer is invited to become part of the event in order to see what it’s for.
From 1997 to 2014, Nelya Korzhova was the organizer (together with Roman Korzhov) and art director of the Samara Regional Public Charitable Foundation “Center for Contemporary Art”. Together with Roman Korzhov, in 1999 she founded the international Shiryaevo Biennale of Contemporary Art, initiating the concept of the “Nomadic Show” — a processional exhibition engaging the public with art while moving through space. From 1999 to the present, Nelya Korzhova is the curator of the main project and artistic director of the Shiryaevo Biennale.
Korzhova has curated many projects and programs, including: “Cover of Daily Routine”, “Fascism Now”, “Nine Months of Feelings”, “Another Freedom”, “Visiology”, “Wonders of Idleness”, “Street as a Museum — Museum as a Street”, “Volga. Zero”, amongst others. She is the author of articles on contemporary art, a compiler of catalogues, and a lecturer.
Nelya Korzhova was the nominee of the State Innovation Prize in 2006, 2008, 2012, and 2017. She worked at the Volga and Central Volga branches of the National Center for Contemporary Art (NCCA) / ROSIZO from 2007 to 2017. Nelya Korzhova lives and works in Samara.
ROMAN KORZHOV
Artist and curator Roman Korzhov (born in 1964) was from 1997 to 2014 the organizer (together with Nelya Korzhova) and the chairman of the Samara Regional Public Charitable foundation “Center for Contemporary Art”. This was the first profile institution in Samara, actively engaged in the search for new forms of communication of contemporary art in the social environment and the development of international dialogue. From 1999 to the present, he is the founder (together with Nelya Korzhova) and the commissioner of the international Shiryaevo Biennale of Contemporary Art.
Roman Korzhov has initiated many projects and programs: “Open Spaces”, “Independent Artistic Scholarship” (within the program of sister cities Samara and Stuttgart), “The Art of Communication” (Institute for International Relations of Germany, IfA, Stuttgart, Germany), “Ecology of Perception”, “Visionology”, “Street as a Museum — a Museum as a Street”, “Volga. Zero”, amongst others.
Korzhov was the Nominee of the National Innovation Prize in 2006, 2008, 2012, and 2017. He has worked at the Volga branch of the National Center for Contemporary Art (NCCA) since 2007. And since 2015 he has served as Director of the Central Volga branch of the National Center for Contemporary Art / ROSIZO. Roman Korzhov lives and works in Samara.
More info on the Shiryaevo Biennale Exhibition >>
More info on the Christmas Art Market >>
Nelya Korzhova presents Shiryaevo Biennale at Double Agents Symposium
More info here >>
WITH THANKS FOR GENEROUS SUPPORT
ABOUT TMU
The Trust for Mutual Understanding was established in 1984 by an anonymous American philanthropist as a private, grantmaking organization dedicated to promoting improved communication, closer cooperation, and greater respect between the people of the United States, the Soviet Union, and other countries in Eastern and Central Europe. TMU’s program reflects her conviction that grantmaking can make a contribution to that process by supporting international face-to-face contact and professional interaction. TMU’s mission has been shaped by the belief that creative international collaboration encourages global harmony. TMU continues to support East-West exchanges in the arts and environment, reflecting the founder’s appreciation of the importance of culture and ecology in people’s lives. Before 1985, there was relatively little American funding for such activities, and what support there was — mainly governmental — was often restricted by political considerations. It remains TMU’s goal to enable talented people to come together from different countries to freely share ideas and stimulate creativity in a nonpolitical context.